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We are biased against truly creative event design

Conferences that Work

A “creative” event design is one with a novel venue and/or decor and lighting and/or food and beverage. Consequently, planners restrict the entire focus of creative event design to novel visual and sensory elements. Truly creative event design We are biased against truly creative event design.

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How the Responsibilities of Conferences Mirror Those of Media Platforms

Conferences that Work

Rereading a 2012 post by Jeff Jarvis , I was struck by the parallels between his take on news organizations’ responsibilities to their platforms and the responsibilities of conferences. ” —Jeff Jarvis At conferences, the “users” are primarily participants. A good platform is transparent.

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How to help meeting design clients figure out what they really want and need

Conferences that Work

Thirty minutes of discussion with three stakeholders revealed they hadn’t yet settled on the event’s specific purpose, scope, and format. The needs assessment trap Conference design clients who “know what they want” have already decided on their “ why? Conferences That Work goes to Japan!

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Lessons for #eventprofs from an improv and mindfulness workshop — Part 1

Conferences that Work

In this two-part article I’ll share a little of my experience and takeaways, followed by their relevance to event design ( red ). Although that opportunity had to be passed up—PCMA made me an offer I couldn’t refuse: facilitating the 2015 PCMA Education Conference —I made it to the 2016 workshop. How I got there.

2015 192
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Best in Show 2016

PCMA Convene

We asked readers to nominate exemplary meeting professionals who usually operate out of the spotlight, behind the scenes, working in areas such as convention services, audiovisual, event technology, and catering. He is always available, organized, and reliable in handling whatever needs to be done to help his clients have a successful event.

2016 76
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How the Future of Storytelling Can Change the Way We Meet

PCMA Convene

He founded the FoST Summit in 2012, inviting 300 people from the fields of technology, arts, theater, business, and communications to attend a one-day event to explore the impact of technology on storytelling. We really had to blow up the conference model,” Melcher said in an interview with Convene.