This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
A “creative” event design is one with a novel venue and/or decor and lighting and/or food and beverage. Consequently, planners restrict the entire focus of creative event design to novel visual and sensory elements. Can we overcome bias against truly creative event design?
The needs assessment trap Conferencedesign clients who “know what they want” have already decided on their “ why? I understand their perspective, because I also feel the temptation to pin down specifics — number of participants, duration, venue, budget, etc. ” and “ who? ” stage.
Whereas we originally created Best in Show to honor some of the most innovative and acclaimed things in the meetings and conventions industry — venues, technology platforms, CSR programs, destination videos, etc. Nominated by Cori Dossett, CEM, CMP, ConferencesDesigned “I have worked with Brittany several times in the past year.
He founded the FoST Summit in 2012, inviting 300 people from the fields of technology, arts, theater, business, and communications to attend a one-day event to explore the impact of technology on storytelling. We really had to blow up the conference model,” Melcher said in an interview with Convene. This is not your ordinary conference.
We organize all of the trending information in your field so you don't have to. Join 42,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content